Special Events in the History of Technology for Creating, Organizing, and Sharing Information
By Dr. Mark Kelland / 06.26.2006
Professor of Psychology
Lansing Community College
Introduction
The development of technologies for encoding, storing, communicating, and exploiting information is a major feature in the history of the human species. Although this development has generally progressed smoothly over time, we feel it is valuable to identify three significant points of rapid change or “paradigm shifts.” The first and possibly most revolutionary change was the invention of writing and its companion, literacy—the transition from an oral to a writing culture. The second was the invention of the printing press—the transition from hand-writing to the print culture.
We are now in the midst of a third transition to an electronic or digital culture. A convergence of several technologies has created new systems for dealing with information that are potentially as revolutionary as the development of literacy and the invention of the printing press. The base for this transition was established in the 1940s with the invention of the digital computer and the development of information theory. It was empowered by the invention of the transistor and integrated circuit and has blossomed thanks to the connectivity provided by the Internet and wireless technology and the storage provided by semiconductor, hard disk, and optical memory. The ever-increasing power of computer and communications hardware has been accompanied by ever more powerful software in the form of computer languages, operating systems, communication protocols, and search technologies.
It may be that most people feel they live in a time of major change, but history reveals that few actually do. One purpose of this paper is to examine earlier transitions in order to establish that we are indeed currently in another paradigm shift. A second purpose is to challenge the usual pattern of discovering after the fact that something big has happened and then determining how to mitigate the damage or inefficiencies that seem inevitably to ensue from major change and how to take advantage of the new opportunities and capabilities that are opened. For example, literacy was first an improvement and extension of the oral tradition; it subsequently created completely new systems for human uses of information. The printing press was first an improvement on the hand-written method of producing books; it then transformed the entire literate world and extended it to the masses. Today, the information age has produced a setting in which new information systems will transform not only the way we develop and exploit information, but also the way we interact with each other.
In this paper, we discuss in particular detail the educational publishing project, Connexions, as an example of a new technology that is both a natural evolution out of literacy and the printing press and a revolutionary change or paradigm shift that will be as disruptive as were writing and printing. The reason we do this in a historical context is to develop Connexions in a deliberate way, to achieve the positive goals we currently envisage for education as well as general information usage, and to use a strategy that will attempt to maximize the positive unintended consequences and minimize the negative ones. We try to take a “holistic” approach, taking into account what goes on (or can go on) in the human brain, what goes on (or can go on) in individuals or small groups, and what can go on in large societies or cultures.
Because this short paper covers a large span of time, ideas, and history that cannot be fully developed, we provide a fairly comprehensive set of references.
Literacy
Hieroglyphics / Photo by Glen Ashton, Creative Commons
The emergence of writing and literate activity some five thousand years ago transformed human life as profoundly as the earlier revolutions of intensive agriculture and language. [Goody]
The earliest uses of writing were to record lists of inventories and of sale and purchase transactions. Later, writing served as a means of helping the memory of storytellers in the oral tradition—writing was used as a prompt, not as part of an intellectual or creative activity. The people who read used writing to help them remember stories they and their audiences already knew. Only later did people read stories that writers had created, not merely recorded.
Without writing, the literate mind would not and could not think as it does, not only when engaged in writing but normally even when it is composing its thoughts in oral form. More than any other single invention, writing has transformed human consciousness. [Ong, p. 78]
Resistance to change occurred even in the earliest stages of literacy. As intellectuals, leaders, and thinkers considered the merits of this new “technology” called writing and literacy, they predicted its potential shortcomings. In the Phaedrus, Plato has Socrates say that writing is inhuman, a pretender, establishing “outside the mind what in reality can be only in the mind,” then adding that “writing weakens the mind.” Perhaps writing does weaken the memory, just as the calculator may weaken the memorized knowledge of the multiplication tables or speed-dial may reduce the memory of telephone numbers. Experience has demonstrated, however, that some very positive personal and societal effects accompanied these “weakenings.”
Some of the dire predictions came true, of course, because they were grounded in what was known. The positive things produced by literacy generally outweighed the negative but were often not predictable because nothing like them had ever existed. Literacy created a new culture, but it also destroyed part of the old one, and that should be kept in mind. This example illustrates the Law of Unintended Consequences.
Many of the stories in the oral culture were structured in the style of poetry with rhyme, rhythm, and form to aid the memory. The telling of these stories was a performance by a highly skilled person with many tricks to help him/her remember and the ability to improvise and create on the fly. If a person in a story fell from favor, then they might disappear from the next telling. The story was “alive,” continuously adapting and changing.
After writing came into general use, the culture of communication changed. Poetry evolved into a more compact and efficient prose, as memory aids were no longer needed. Similarly, the need to improvise vanished, and a larger group of people was able to tell (read) stories, with more “accuracy” but at a cost. The stories become frozen, perhaps even “dead.” They became separated from the teller and the listener, with an independent existence in written form.
But there’s a larger point here. Writing would also significantly add to the power [emphasis added] of the word, and in so doing it would change the nature of what could be thought. [Stephens, p. 17]
The earliest writing used symbols that directly depicted the object or idea being described. In the west, this “short hand” evolved into phonetic symbols representing sounds in speech rather than the objects themselves. This early writing was only loosely tied to language, but the arrangement changed to a tight connection when the phonetic alphabet evolved and people were able to read aloud.
The pictorial writing systems required an enormous number of symbols, but the change to a phonetic system reduced the number, similar to today’s western alphabets. The number of phonetic symbols, in fact, was initially too small since the alphabet had no vowels, only consonants. Words and sentences were not separated, and there were no paragraphs or chapters. Like shorthand, the written language was a prompt, enabling the reader to “know” what had been written (probably because he already knew it). Indeed, a fully phonetic alphabet, the separation of words, and the development of punctuation, all of which enabled silent reading (which occurred around the 1500s), were major advances in the technology of writing and the book. This was the second phase in the development of writing, where unanticipated developments were changing everything.
As the change toward literacy has occurred, it has produced changes in the configuration of human society. . . . An act of vision was offered in place of an act of hearing as the means of communication, and as the means of storing communication. The adjustment that it caused was in part social, but the major effect was felt in the mind and the way the mind thinks as it speaks. (Emphasis added) [Havelock, p. 100]
In addition to much-improved efficiency, the development of writing techniques brought along other ideas and changes.
The printed text is supposed to represent the works of an author in definitive or ‘final’ form. For print is comfortable only with finality. … Print culture of itself has a different mindset. It tends to feel a work as “closed,” set off from other works, a unit in itself. Print culture gave birth to the romantic notions of “originality” and “creativity,” which set apart an individual work from other works even more, seeing its origins and meaning as independent of outside influence, at least ideally. [Ong, pp. 132-133]
A supportive commercial enterprise accompanied the development of literacy. At first, manuscripts were written from the orally composed stories. Perhaps Homer’s epic writings came into being this way. Later, manuscripts were composed directly in writing, never having been uttered. An industry developed that would copy these “originals” under commission, as a tailor sews suits. After a literate public developed, the scribes would make several copies of a manuscript and then offer them for sale much as a clothing store operates now. Along with this commercial side, a legal device came into being. If money could be made, the question of ownership arose and the concept of the “right to copy” or the “copyright” was invented.
If we step back and look at this comparison of the oral and written cultures, we see still another interesting and pertinent dimension that has to do with physiology. If I tell you a story, then I transfer a piece of information from my brain into yours. On the other hand, if I write that story down on paper and you read it, then I have also transferred the piece of information from my brain into yours, but it has gone through a quite different part of the brain and nervous system. In the first case, a vocal and auditory process occurred. A blind person could participate. In the second case, an image and visual process occurred, and a deaf person could participate. In the first case, a person could address a crowd and a certain efficiency could be achieved, but in the second case, a much larger audience could be reached and spread over time as well as space.
Technology has continued to expand both the means of communication, with the telephone, radio, and tape recorder extending the vocal/auditory process and the telegraph, fax, television, and email extending the visual process. Is this what the Sumerians and Greeks, the inventors of writing and the alphabet, had in mind? Surely not, but some unintended consequences produce phenomenally positive ends.
In this section, we have tried to indicate the incredible effects that literacy has had on human culture. The point is that some of the predicted negative effects did occur and many of the positive effects that occurred were not predicted. This was true because the negative effects were mainly the destruction of something that was known. The positive effects, however, involved the creation of things that were completely unknown in the preliterate culture. Some of those positive effects were initially seen as negative. These factors need to be very carefully considered as we try to predict the future of the next phase of information systems. Indeed, the negative “unintended consequence” is the effect that we wish to understand and minimize.
Reading and writing seem to fit the definition of technology quite well and can be studied as such. For greater depth and more detail on literacy and writing, one should read the works of Parry, Ong, Havelock, and Goody. For an example of how writing and literacy are viewed as technology, see Goody’s Chapter 8: “Technologies of the Intellect: Writing and the Written Word.”
The Book and the Printing Press
Richard March Hoe’s printing press—one cylinder design / From History of the Processes of Manufacture 1864, by A.H. Jocelyn
About the year 1450 some rather unusual “manuscripts” made their appearance in the northern regions of Western Europe. Although not very different in appearance from traditional manuscripts, they were “impressed” on paper, sometimes on vellum, with the mechanical aid of a printing press which used moveable type. [Febvre and Martin, p. 9]
Gutenberg’s invention of the movable-type printing press in the fifteenth century is widely considered, along with gunpowder and the compass, one of the three most influential inventions in history. This is a truly remarkable statement since the first printed books looked fairly similar to the hand-written books that preceded them. Nevertheless, the enormously improved efficiency and accuracy of machine-printed books had a powerful effect that continued to develop for centuries. As with other “disruptive technologies,” the first phase of influence was simply to do the old job better. Then, in the second phase, the existence of large numbers of inexpensive books changed the way education and communication took place, the way material was authored and, in the process, invented a new tool for mass entertainment and created a commercial commodity.
To bring the problem into a sharper focus: the advent of printing, we are told, was the most important event “in the cultural history of mankind;” it “brought about the most radical transformation in the conditions of intellectual life in the history of Western civilization.” [Eisenstein, p. 115]
This transformation occurred not only in the life of the elite, but in all of society. The inventions of literacy and the printing press brought to the masses what previously had been reserved for the privileged and, before that, the priest and the scholar. They brought a new and different dimension to the democratic process, the educational enterprise, and the religious life of the society. It is no coincidence that the Reformation, a democratization of Christian religious life, also began in Germany, within a century of Gutenberg’s invention. What was the obvious book to be printed by this new technology? The Bible. What was the obvious result? Readers—priests, educated laymen, even the literate poor—might read and interpret for themselves. Revolution. Certainly an unintended consequence but, perhaps with more thought, a predictable one.
The current paper book is the result of technical evolution over thousands of years. It is now a mature technology and is being challenged by modern digital technologies. Stone, bone, clay, papyrus, scrolls, codex, ink, paper, and the printing press were all steps in its evolution. A parallel development of a commercial system supported the creation and marketing of books, resulting in the current system of authors, editors, publishers, book stores, and readers. We are now seeing the beginning of the effects of modern digital technology, mass storage technology, and Internet communications.
Because the printing press had a much greater impact than was anticipated, we may ask if the use of electronic or digital information—cheaper to produce, easier to author, easier to alter, and almost free to distribute—will have a similar powerful, unexpected effect. Of course it will.
Hypertext and the World Wide Web
Wikimedia Commons
The most remarkable species of book to punctuate the equilibrium of the twentieth century was the entirely new literary form of hypertext. [Kilgour, p. 155]
The modern concept of hypertext seems to have originated with the 1945 Atlantic Monthly article by Vannevar Bush, who used his ideas of how the mind works “by associations” to propose the memex, a forerunner to linked hypertext.
In the early 1960s, after reading Bush’s article, Douglas Engelbart started the Augmentation Research Center (ARC) at the Stanford Research Institute. The ARC used a precursor of hypertext in what it called the On-Line System. Engelbart talked about asynchronous collaboration among teams distributed geographically, about the use of computers to augment human intellect, and about the idea of “bootstrapping” as an iterative and coadaptive learning processes or a feedback system. All of these ideas show up in Connexions, to be described later.
The actual term, “hypertext,” was coined around 1965 by Ted Nelson, who developed the idea in a complex system he called Xanadu.
By “hypertext,” I mean non-sequential writing–text that branches and allows choices to the reader, best read at an interactive screen. As popularly conceived, this is a series of text chunks connected by links which offer the reader different pathways. [Nelson 1965]
A form of hypertext has come into common use on the Internet and World Wide Web (WWW) with the hypertext markup language (HTML), the hypertext transfer protocol (HTTP), and the browser, Mosaic, which evolved into the familiar Firefox, Netscape, Internet Explorer, and other browsers. HTML enables the linking of a point in a text to another point in that text or another text. This linking is created by the author to allow a new control by the reader.
This system, which breaks up the usual linear or sequential structure of the traditional book so that readers can easily branch to related topics, may be more compatible with the way people think and learn (that is what Bush and Engelbart had in mind). The traditional book tries to bring this ability with the use of page references, footnotes, endnotes, sidebars, and other print techniques. The table of contents and index are attempts to create a more flexible structure. In a way, these structures are precursors to hypertext and the digital search engines.
Ted Nelson talks about the free-flowing live documents on the network being subject to constant new use and linkage, and those new links continually becoming interactively available. Any detached copy someone keeps is frozen and dead, lacking access to the new linkage. This is an interesting response to Plato’s concern about the harmful effect of literacy and writing. If literacy and writing “killed” the text, then perhaps hypertext brings it back to life in an even more flexible form. Indeed, it may create a format that we cannot imagine now.
Hypertext would not have achieved its broad impact without the development of the modern Internet, WWW, and the high-density storage of hard disks and CD-ROMs. Again we have an interesting case of unintended consequences, with the seminal ARPAnet evolving from a research and defense tool into the popular business, educational, communication, and personal information lifeline it has become today.
HTML, the hypertext markup language, not only implements linking, but also allows control of the display of material. Unfortunately, it does not do much to encode what the material means. A second-generation language called the extensible markup language (XML) is just now becoming available; it can distinguish between form and content. This ability will be crucial to bringing a new information system into being.
As writing and literacy extended human memory and accuracy, hypertext extends the way the human mind connects and relates ideas and information in text. It is a way to more directly implement metaphor, analogies, and multidimensional relationships. The human mind contains ideas and stories that traditional text and books capture efficiently and effectively. The connections and relationships of ideas and the dynamic nature of thinking are crudely captured by traditional text, but both are better implemented and extended by the linking and tagging in hypertext. This opens a rich set of educational and perhaps artistic possibilities, with the combination of text and hypertext providing a more accurate match to the way the mind works (or might evolve into working).
“In an extreme view, the world can be seen as only connections, nothing else. We think of a dictionary as the repository of meaning, but it defines words only in terms of other words. I liked the idea that a piece of information is really defined only by what it’s related to, and how it’s related. … The structure is everything.” [Berners-Lee, p. 12]
A deep understanding of this new hypermedia environment is much more difficult than looking back at literacy or the printing press, because we are in the middle of creating it. That, of course, is the point of this article. Read the material by and about Bush, Engelbart, Nelson, Levy, Novak, Berners-Lee, and Landow, then use a browser on the web to see how hypertext changes reading and the use of information. Less positive interpretations of some of the unintended consequences are presented by Birkerts and Postman.
The Digital Commons
Digital computation, storage, and communication technology have enabled entirely new ways to create, organize, and exploit information. For example, as we have seen, hypertext breaks apart the linear sequential ordering of the book, giving both the author and the reader new possibilities, greater flexibilities, and more control. But merely publishing a book as a set of hypertext web pages is only the first incremental step along the way of the third transition. In this period, we will see all modes of interaction with information changed, in particular not just how humans interact with information but also how they interact with each other.
The print age has been based on paper books that are loosely inter-connected through a system of citations and quotations. Books themselves are organized into libraries, the “cathedrals of learning” if you will. Consider carefully the role that people play in this age. Most books are written by a single author or a small team, and authors are only loosely connected together into communities. A book’s readers are generally completely disconnected from one another. Moreover, the time scale of writing, editing, peer-reviewing, an updating is on the time-scale of years. Since time costs money, books are expensive. In summary, we can describe the print age as loosely connected, slow-paced, and costly.
The efficient one-to-many, one-to-one, and many-to-many communication links provided by the Internet and WWW are reinventing the book into a new information system that is tightly interconnected, fast-paced, and inexpensive. The core concept is the idea of a digital commons, a vast repository of richly inter-linked hypertext materials that is woven and tended by a multitude of authors worldwide. In the digital commons, authors can form communities to collaborate and continuously improve, re-use, and re-organize the material in the commons. The community culture created by this system could have some of the attributes of the “collective intelligence” of Levy, Engelbart, Licklider, Barabási, Weinberger, and others where the resulting whole is greater than the sum of its parts. The readers of the commons are also more tightly connected by communications technologies (email, discussion forums, chat rooms, blogs, wikis, and so on). If current libraries can be compared to Eric Raymond’s cathedrals, then the future digital commons will be like a bazaar.
“… humanity has a chance to reclaim its future. Not by placing its destiny in the hands of some so-called intelligent mechanism, but by systematically producing the tools that will enable it to shape itself into intelligent communities, capable of negotiating the stormy seas of change.” [Levy p. xxv]
In contrast to traditional libraries, the digital commons is global and under continual, 24/7 expansion and revision. And, in sharp contrast to the “tragedy of the commons” often cited in the literature, this is a commons without a necessary tragedy; indeed, as its use grows, Metcalfe’s Law (which holds that the usefulness, or utility, of a network is proportional to the square of the number of users) will amplify its effect. The digital commons will provide new opportunities for writing, scholarship, reading, and learning.
… primary and secondary materials will interact more powerfully than before as both are online side by side. Scholarly discussions will quote the original by pointing to it, and leave the reader to explore the original context, not just the few words or sentences most apposite. Conversely, texts will acquire structured commentaries not by single hands but organized out of the work of many. [O’Donnell, pp. 132-4]
Indeed, this new format turns out to be similar to some of the modern (or postmodern) ideas in literary, social, and philosophical theory. Landow, Haraway, Hayles, and others have written on this.
Two pillars support the emerging digital commons. The first is a common technology framework for sharing information provided by hypertext, HTML, XML, and the WWW. The second is a common legal framework for sharing information provided by open-access licenses.
Open-access takes its inspiration from the free software and open-source software movements, in which communities of programmers create software such as the Linux operating system, Apache web server, and Mozilla family of browsers and mail tools. When a community is successful, a high-quality piece of work emerges from the open development process, thanks to many hands to do the work, many eyes to conduct a constant peer review, and pride of authorship and contributions to the community.
The most important feature of Linux, however, was not technical but sociological. Until the Linux development, everyone believed that any software as complex as an operating system had to be developed in a carefully coordinated way by a relatively small, tightly-knit group of people. … Linux evolved in a completely different way. From nearly the beginning, it was rather casually hacked on by huge numbers of volunteers coordinating only through the Internet. Quality was maintained not by rigid standards or autocracy but by the naively simple strategy of releasing every week and getting feedback from hundreds of users within days, creating a sort of rapid Darwinian selection on the mutations introduced by developers. To the amazement of almost everyone, this worked quite well. … I expect the open-source movement to have essentially won its point about software within three to five years (that is, by 2003-05). … At that point it will become more appropriate to try to leverage open-source insights in wider domains. [Raymond p. 194]
In addition to a common framework for developing the software, what makes open-source software projects work is a common legal vocabulary for sharing software called an open-source license. The primal example is the General Public License (GPL) developed by Richard Stallman for the GNU project. Without the open-source license enabling anyone to use and modify the software, it would be impossible to build a community of programmers. For more, see the papers by Stallman, Raymond, Boyle, Lessig, and others.
To power the digital commons, a number of open-content licenses have been developed for information resources, the most applicable to our needs being the Creative Commons license. An open-licensed digital commons turns the current intellectual property regime of publishing on its head. Now, an author can retain their copyright to their work and license it non-exclusively for use in the digital commons via a Creative Commons license. This allows other authors to adapt, improve, or otherwise contribute to the work (for example, fixing broken hyperlinks that plague the WWW today). This can be carried to the extreme with an open-licensed wiki system. For example, in Wikipedia (wikipedia.org) anyone in the world can contribute and edit encyclopedia entries with a click in their browser.
Connexions: A Digital Commons for Teaching and Learning
The real roles of the professor in an information-rich world will be not to provide information but to advise, guide, and encourage students wading through the deep waters of the information flood. Professors in this environment will thrive as mentors, tutors, backseat drivers, and coaches. [O’Donnell, p. 156]
To make things concrete, we now describe one particular experiment in this third wave of information technology targeted at education. Connexions ( http://www.cnx.org) is so-called because it aims to connect information and ideas within the commons (using hypertext) and also to connect the people using the system into communities. Connexions is inter-disciplinary, inter-institutional and involves both professionals and amateurs, as well as professors, teachers, students, and the public.
Connexions is a digital commons of scholarly materials plus an open-source software toolkit to help authors publish and collaborate, instructors rapidly build and share custom courses, and learners explore the links among concepts, courses, and disciplines. The design of Connexions is based on a set of intuitions that are shared by a remarkably wide range of academics: that knowledge should be free and open to use and re-use; that collaboration should be easier, not harder; that people should get credit and kudos for contributing to research and education; and that concepts and ideas are linked in unusual and surprising ways and not just the simple linear forms that textbooks present.
Connexions creates “modules” of information—smallish documents intended to communicate one concept, one procedure, one set of questions about something. String a bunch of modules together, and you have a course, or weave a curriculum entirely of your choosing. Connexions directly challenges the current notion of a “textbook” by exploding it and asking different people to create its parts in a semi-structured but re-configurable manner, rather than having a single Maestro do it all and take all the credit.
The hallmarks of Connexions include:
- collaborative workspaces that support collaboration and community building throughout the authoring, course-building, and learning processes;
- semantic content markup in XML hypertext that provides a common technology framework for sharing and re-using materials;
- Creative Commons licenses that provide a common legal framework for using, modifying, and disseminating the content;
- content quality assessment using distributed, post-publication peer review;
- an attribution system to give credit to original authors and to those who add value.
Connexions is an inter-institutional endeavor. For example, a growing global community of electrical engineering faculty and researchers in the area of digital signal processing (DSP) from Rice University, University of Illinois, Georgia Tech, the University of Michigan, the Ohio State University, Polytechnic University, Cambridge University, Technical University of Norway, and the company National Instruments is collaboratively developing a free, open-access DSP course in Connexions.
Note that the Connexions system can be used in a distance education system, but that is not its main purpose. It is an information system that can be used instead of or in addition to a traditional book in a traditional class. It can also be used for self-study, distance education, continuing studies, home schooling, industrial training, or professional credentialing. The basic philosophy is completely independent of level or discipline. It should be ideal for K-12, college, or graduate school. It will fit humanities, social sciences, natural sciences, engineering, architecture, music, business, medicine, law, or art history. It should interface naturally with the modern digital library. It will certainly be multi-media and allow experiments and demonstrations to be run and “discovery based learning”, “problem-solving based learning”, and “concept based learning” to take place.
Connexions can make high quality material available to all students and all educational activities all over the world with fairly inexpensive equipment. If developed properly, it can significantly reduce the “digital divide” that separates the information “haves” from the “have nots.” Because it is platform or hardware independent, it can be used with many new projects to provide internet access more broadly.
The third transition that we are in the middle of just now will probably have two phases, much as most disruptive technologies. As we move from the traditional printed book, lecture, laboratory, and library paradigm to an electronic and digital system using the web, internet, and modern magnetic and optical storage devices, the first phase will do the old job better. We will put our courses on the web. We will put our books on the web. We will scan books and build digital libraries. But, most of this material was written for traditional publication and use. It was written by authors with traditional skills and traditional mind-sets but using modern tools and media.
The second phase of this transition will use the full power of semantic tagging, metadata, and XML together with a better understanding of how humans process information in their brains and how we all learn. In the first phase we take material that was created to be used in traditional media and put it “on the web”. We put the book that we were writing into Connexions. We scan books and put the digital information into the digital library. In the second phase we will create information packets specifically for Connexions, XML, or the Semantic Web. We will have a mixture of text, virtual labs, demonstrations, etc. that cause us to teach and our students to learn in a different way. That will, in turn, cause us to create material in a different fashion.
In the transition from an oral tradition to literacy and a written tradition, the first phase was just a better version of the old. Authors wrote down the stories that they earlier told. Readers read aloud to “hear” the stories as they had before. As the technology of writing developed, people learned to read silently and authors wrote to be read, not heard.
We currently seem to be in the middle of the first phase of our modern transition, but are beginning to see an image of the second. Although there is a great temptation to jump to the end, we will probably need the experiences and experiments of the first phase to best develop the second phase and minimize the negative “unintended consequences”. We will need to put our books and articles into Connexions and scan our traditional library books to create our digital library before we will know how to create material specifically for digital use.
Conclusions
Daniel Headrick argues “that the information revolution in which we live is the result of a cultural change that began roughly three centuries ago, a change as important as the political and industrial revolutions for which the eighteenth and early nineteenth centuries are so well known.” We are now seeing this revolution reach a climax.
From our studying and reading about writing, literacy, and the printing press, we have concluded that we are indeed in the midst of a third major information transition that will be as important and startling as the first two. We want to create a system or a setting in which this new world can flourish and be a positive contribution to humanity. We want it to be as close to the way the mind works as possible, while allowing future extensions beyond what we can now predict regarding new theories of learning, teaching, and discovery, as well as new information technologies.
The Connexions Project has been designed to be sufficiently open and flexible to allow for these future unknowns, yet specific enough to have standards for current implementation. The ability of XML to control both form and content is essential to the spirit and future of Connexions. The modular format with hypertext linking seems to fit the way the mind works, yet allows for future discoveries in cognitive science and learning theory. The digital commons will allow input from top experts in any field and a post-review system will allow identifying the best material without restricting input.
The current classroom lecture method used in schools, colleges, and training programs results in students’ having a difficult transition to self-learning. The use of Connexions could greatly reduce that transition. It could be a true life-long learning system. This single system can be used for teaching, learning, and discovery and be open to the invention of unpredictable new technologies. If these statements are true, we will indeed have a third transition as important as those created by writing and the printing press.
References
- Walter J. Ong, Orality & Literacy: The Technologizing of the Word, Routledge, 1982.
- Eric A. Havelock, The Muse Learns to Write: Reflections on Orality and Literacy, Yale Press, 1986
- Jack Goody, The Interface Between the Written and the Oral, Cambridge, 1987.
- Michael E. Hobart and Zachary S. Schiffman, Information Ages: Literacy, Numeracy, and the Computer Revolution, Johns Hopkins, 1998.
- Jack Goody, The Power of the Written Tradition, Smithsonian, 2000.
- Elizabeth L. Eisenstein, The Printing Revolution in Early Modern Europe, Cambridge, 1983. This is a combined and abridged version of the 1979 editions.
- Lucien Febvre and Henri-Jean Martin, The Coming of the Book: The Impact of Printing, 1450-1800, Verso, 1958, 1976, 1990.
- Henri-Jean Martin, The History and Power of Writing, Chicago, 1988, 1994. Surveys writing from cave painting up to current information net.
- Frederick G. Kilgour, The Evolution of the Book, Oxford, 1998. This book aims to shed light on the present emergence of the electronic book.
- Jason Epstein, Book Business: Publishing, Past Present and Future, Norton, 2001.
- James A. Dewar, “The Information Age and the Printing Press: Looking Backward to See Ahead”, RAND report P-8014, 1998; also published in Ubiquity (on-line ACM journal), vol. 1, issue 25.
- Margaret Hedstrom and John Leslie King, “On the LAM: Libraries, Archives, and Museums as Epistemic Infrastructure”, University of Michigan, Draft distribution, February, 2005.
- Neil Rhodes and Jonathan Sawday, The Renaissance Computer: Knowledge Technology in the first Age of Print, Routledge, 2000.
- James J. O’Donnell, Avatars of the Word: from Papyrus to Cyberspace, Harvard, 1998.
- Terrence W. Deacon, The Symbolic Species: The Co-evolution of Language and the Brain, Norton, 1997.
- George P. Landow, Hypertext 2.0:The Convergence of Contemporary Critical Theory and Technology, Johns Hopkins, 1997. Landow shifts focus from Intermedia to Microcosm, Storyspace, and the World Wide Web in this second edition of the 1992 book.
- Ilana Snyder, Hypertext: The Electronic Labyrinth, Melbourne, 1996
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