Hannah Höch and ‘the Last Weimar Beer Belly Cultural Epoch of Germany’

This cut-and-paste aesthetic was wholly embraced by Berlin Dada as a form of political and social critique. Introduction If we look closely at the cacophony of seemingly random images that make up Hannah Höch’s large-scale photomontage, a cross-section of Weimar Germany’s cultural and political milieu comes into focus. Here, the “Kitchen Knife Dada”—a metaphor for[…]