The Armored Body as Trophy in Shakespeare’s Roman Plays

The treatment of the military subject in Shakespeare’s Roman plays complicates early modern cultural understandings of the material aspects of militant nostalgia. Remembering Rome, performing Rome… Introduction At the end of Book 12 of Virgil’s Aeneid, Aeneas is described as “stetit acer in armis” or “ferocious in his armor,” a colossal and threatening force, a[…]

Shakespeare’s ‘Richard III’ and the Will to Power

Shakespeare drew on earlier depictions of Richard III and other ruthless rulers in order to create his own power-hungry king, and it has influenced later depictions of megalomania. Introduction Richard III is early Shakespeare. Probably composed in the early 1590s, it’s the work of a playwright in his late twenties, author of two comedies (The[…]