Examining the important role of music in ancient Greek cult practices. By Dr. Jana Kubatzki Research Associate in Musicology Freie Universität Berlin Abstract This paper deals with the important role of music in ancient Greek cult practices. It will explore the types of music that were played and research the effect music may have had on[…]
Detail of A carole: shawms and bagpipes played from the gallery to accompany dancers, including Courtesy and the Lover from Romance of the Rose by Guillaume de Lorris and Jean de Meung, ca. 1460–70. Oxford, Bodleian Library, Ms. Douce 364, fol. 8 A closer look at the music of the Renaissance courtly experience. By Dr.[…]
Terracotta amphora, c490 BCE. Courtesy The Metropolitan Museum of Art, New York Despite a wealth of ancient writings, archaeological remains of instruments, and even inscriptions with musical notation, the question has long been thought intractable. By Dr. Armand D’Angour / 08.08.2018 Associate Professor of Classics Jesuit College University of Oxford They told me, Heraclitus, they told me[…]
Music has played a central role in Greek Orthodox services for centuries. Nicolas Bell describes the manuscript evidence for this music in the Byzantine and post-Byzantine eras. By Dr. Nicolas Bell College Library Trinity College Cambridge The Byzantine Empire fostered a very rich musical tradition. The music used in church services is exceptionally well preserved[…]
A choir sings traditional gospel music. Staff Sgt. Bernardo Fuller For the enslaved Africans, music – rhythm in particular – became a tool of communication about their conditions. Later, it laid the foundation for spirituals and gospel songs. By Dr. Robert Stephens / 02.28.2018 Professor of World Music University of Connecticut The enslaved Africans who first arrived in the British colony of Virginia in 1619 after being forcefully removed from their natural[…]
Will learning sax make you better at French? Creativity+ Timothy K Hamilton, CC BY-NC-ND Music is what penetrates most deeply into the recesses of the soul, according to Plato. By Dr. George Tsoulas / 12.03.2014 Senior Lecturer, Department of Language and Linguistic Science University of York Music is what penetrates most deeply into the recesses of the[…]
By Austin Brown (left) and Alex Mensing (right) / 11.30.2017 Brian Eno’s creative activities defy categorization. Widely known as a musician and producer, Eno has expanded the frontiers of audio and visual art for decades, and posited new ways of approaching creativity in general. He is a thinker and speaker, activist and eccentric. He formulated[…]
By (left-to-right) Dr. N. Alan Clark, Dr. Thomas Heflin, and Dr. Elizabeth Kramer Clark: Director of Bands, Middle Georgia State University Heflin: Assistant Professor of Jazz, Abraham Baldwin Agricultural College Kramer: Associate Dean and Associate Professor of Music History, University of West Georgia What Is Music? Music moves through time; it is not static.[…]
Carter And King Jazzing Orchestra, 1921 / Wikimedia Commons Edited by Matthew A. McIntosh / 05.01.2018 Historian Brewminate Editor-in-Chief Introduction The illustrations for F. Scott Fitzgerald’s Tales of the Jazz Age, drawn by John Held, Jr., epitomized the carefree flapper era of the 1920s. Following the hardships of the immediate postwar era, the United States[…]
Initial G: The Assumption of the Virgin, about 1392–1402, Niccolò da Bologna, from the Gradual of Niccolò di Lazzara for Santo Spirito in Farneta (Lucca). Tempera colors and gold leaf on parchment, 14 x 12 in. The J. Paul Getty Museum, Ms. 115 (2017.122.5), leaf 5. Gift of Elizabeth J. Ferrell Leaves by the Bolognese artist,[…]
By Dr. Elizabeth Kramer Associate Dean and Associate Professor of Music History University of West Georgia Introduction and Historical Context Musical Timeline Click image to enlarge Introduction What do you think of when you hear the term the Middle Ages (450–1450)? For some, the semi-historical figures of Robin Hood and Maid Marian come to mind. Others[…]
This sarcophagus depicts a variety of ancient musical instruments, including the tympanum (drum), flute, and kymbala (cymbals). Sarcophagus with Scenes of Bacchus, Roman, A.D. 210–220, with 19th-century supports. Marble, 67 15/16 in. wide. The J. Paul Getty Museum, 83.AA.275 Enzo Fina and Roberto Catalano of Musicàntica explore ancient musical traditions. By Eidelriz Sanga / 07.18.2012[…]
A new Harvard study suggests that people around the globe can identify lullabies, dancing songs, and healing songs — regardless of the songs’ cultural origin — after hearing just a 14-second clip. / Image by Adobe Some musical meaning may transcend cultural boundaries and be universally human. By Peter Reuell / 01.26.2018 Poet and Harvard[…]
Charlie Nguyen/Flickr/Creative Commons By Richard Kunert / 04.20.2016 PhD Candidate Donders Institute Max Planck Institute for Psycholinguistics Imagine yourself at a concert hall looking at a symphonic orchestra on stage. Have you ever noticed that high-pitched strings sit left of low-pitched strings? Going from left to right, one usually sees violins, violas, cellos and double[…]
Lauren C/Flickr/Creative Commons By Princess Ojiaku / 01.14.2016 Adele’s heartbreaking ballad Hello, about a lost lover, has topped the Billboard Hot 100 for weeks, while 25, the album from which it comes, broke records for the highest number of album sales in its first week (3.48 million). Sad songs can be immensely popular, often moving us in a more memorable way[…]
Francis Barraud [Public domain], via Wikimedia Commons By Melissa Pipe / 03.30.2017 A Marvin Duchow Music Library (McGill University) exhibit explored the history of recorded sound through its rare collection of 20th century recordings and related ephemera. Cylinder, shellac, and vinyl records with varying disc and groove sizes, speeds, composition materials, colours and uses offer[…]
By Dr. Zuleyka Zevallos / 09.10.2016 Sociologist Have you ever had a song playing in your mind that you just can’t tune out? The social science term for this is “involuntary musical imagery” (IMI) otherwise known as an “earworm.” In this post, I’ll discuss research about IMI, focusing on data from a study by Victoria Williamson and colleagues tracing[…]
“I’m a Dylan professor and a Dylan fan,” says Harvard Professor Richard Thomas, who teaches a popular freshman seminar on the singer-songwriter and recently published “Why Dylan Matters.” / Stephanie Mitchell, Harvard Staff Photographer New book examines the influence of the classics on the Nobelist’s music. By Jill Radsken / 12.13.2017 Richard Thomas may be the[…]
Women and children participate in a drum circle in El Cajon, California. Studies have shown that recreational music-making in general and group drumming in particular can decrease stress and change the genomic stress marker. / Photo by Ari Honarvar How music is helping women from war-torn countries express grief and loss. By Ari Honarvar / 12.05.2017 More than three[…]
A new study suggests that listening to happy music promotes more divergent thinking—a key element of creativity. By Jill Suttie, Psy.D. / 11.17.2017 In today’s world, creative thinking is needed more than ever. Not only do many businesses seek creative minds to fill their ranks, but the kinds of complex social problems we face could[…]
Sarah Vaughan by William P Gottlieb. / Wikimedia Commons By Dr. Pavlo Shopin / 11.15.2017 Lecturer in the Philosophy of Language, Comparative Linguistics, and Translation National Pedagogical Dragomanov University To make sense of human voices, we rely on senses beyond hearing. The songs of Taylor Swift can be sweet and soft. Lady Gaga’s singing feels[…]
In Las Vegas, 1970. EPA By Dr. Adam Behr / 08.10.2017 Lecturer in Popular and Contemporary Music Newcastle University The American singer Glen Campbell did not care for musical boundaries. He probably enjoyed hearing The Meters, doyens of New Orleans funk, covering Wichita Lineman, as much as he enjoyed performing a slow, country-tinged version of Foo Fighters’[…]
Coloured engraving after J.T. Balcomb depicting an Edison phonograph with a carbon microphone, 1878 / Wellcome Library Dr. Eva Moreda Rodríguez on the formative years of the recording industry, focusing on the culture surrounding the gabinetes fonográficos of fin-de-siècle Spain. By Dr. Eva Moreda Rodriguez / 07.12.2017 Lecturer in Music University of Glasgow To the question “When[…]
Photo by Ken Howard By Dr. Eric A. Gordon / 06.01.2017 Almost a decade ago I had tickets to this opera. Following up on the Minnesota Opera premiere in 2007, Opera Pacific in Costa Mesa, Orange County, Calif., announced it and I hurried to purchase tickets. Then, in the wake of the 2008 Recession, Opera[…]
Lament teacher Pirkko Fihlman wears a traditional Käspaikka scarf during a gathering at her home in Helsinki. / Photo by Katri Heinämäki. In Finland, lament singing is experiencing a revival, one sad song at a time. By Tristan Ahtone / 05.16.2017 Riitta Excell wore a pair of homemade wool socks: white with red floral patterns[…]
By Dr. Gullög C. Nordquist Professor of Classical Archaeology and Ancient History Uppsala University Introduction Music was indispensable in Greek cult: almost all kinds of musical performances, hymns and dithyrambs as well as the musical agones[1] and theatre performances, belonged to cult in one form or another. It is of course this art-music that has[…]
Figure 24.1 The illustrations for F. Scott Fitzgerald’s Tales of the Jazz Age, drawn by John Held, Jr., epitomized the carefree flapper era of the 1920s. By Dr. P. Scott Corbett, et.al. / 12.2014 Professor of History Ventura College Introduction Following the hardships of the immediate postwar era, the United States embarked upon one of[…]
John Lennon – Imagine 04.07.2017 Ever wonder what John Lennon’s “Imagine” looks like? Not the music video, but the song itself. Well, thanks to artist Melissa McCracken, you don’t have to imagine it anymore. Melissa “suffers” from a condition known as synesthesia, which allows her to experience various things – from sounds to letters and even[…]
Benson Musical Instrument Factory Polishing Room / Musical Instrument Manufacturers Archive, National Music Museum, South Dakota By Dr. Júlio Ribeiro Alves / 12.2015 Professor of Music Theory and Guitar Marshall University Throughout its entire history, one of the main limitations of the guitar, if not “the main”, was its lack of volume. The aspect excluded[…]
Classical 19th-century six-string guitar / Museum of Fine Arts, St. Petersburg By Dr. Júlio Ribeiro Alves / 12.2015 Professor of Music Theory and Guitar Marshall University Towards the Six-String Guitar The transition between the seventeenth and eighteenth centuries revealed a new context for the guitar. The socio-political context of Spain under the leadership of Philip[…]