Loie Fuller and the Serpentine

Exploring Fuller’s unlikely stardom and how her beguiling art embodied the era’s newly blurred boundaries between human and machine. This article, Loie Fuller and the Serpentine, was originally published in The Public Domain Review under a Creative Commons Attribution-ShareAlike 3.0. If you wish to reuse it please see: https://publicdomainreview.org/legal/ In 1892, Loie Fuller (née Mary-Louise Fuller, in[…]