Buddhist Stupas and Monasteries


Stupa 3, 1st c., Sanchi, India (photo: Nagarjun Kandukuru)


By Dr. Karen Shelby / 08.09.2015
Assistant Professor of Art History
Baruch College, The City University of New York

The Stupa

Video from the Asian Art Museum

Can a mound of dirt represent the Buddha, the path to Enlightenment, a mountain and the universe all at the same time? It can if its a stupa. The stupa (“stupa” is Sanskrit for heap) is an important form of Buddhist architecture, though it predates Buddhism. It is generally considered to be a sepulchral monument—a place of burial or a receptacle for religious objects. At its simplest, a stupa is a dirt burial mound faced with stone. In Buddhism, the earliest stupas contained portions of the Buddha’s ashes, and as a result, the stupa began to be associated with the body of the Buddha. Adding the Buddha’s ashes to the mound of dirt activated it with the energy of the Buddha himself.

Early stupas

Before Buddhism, great teachers were buried in mounds. Some were cremated, but sometimes they were buried in a seated, meditative position. The mound of earth covered them up. Thus, the domed shape of the stupa came to represent a person seated in meditation much as the Buddha was when he achieved Enlightenment and knowledge of the Four Noble Truths. The base of the stupa represents his crossed legs as he sat in a meditative pose (called padmasana or the lotus position). The middle portion is the Buddha’s body and the top of the mound, where a pole rises from the apex surrounded by a small fence, represents his head. Before images of the human Buddha were created, reliefs often depicted practitioners demonstrating devotion to a stupa.

The ashes of the Buddha were buried in stupas built at locations associated with important events in the Buddha’s life including Lumbini (where he was born), Bodh Gaya (where he achieved Enlightenment), Deer Park at Sarnath (where he preached his first sermon sharing the Four Noble Truths (also called the dharma or the law), and Kushingara (where he died). The choice of these sites and others were based on both real and legendary events.

“Calm and glad”

According to legend, King Ashoka, who was the first king to embrace Buddhism (he ruled over most of the Indian subcontinent from c. 269 – 232 B.C.E.), created 84,000 stupas and divided the Buddha’s ashes among them all. While this is an exaggeration (and the stupas were built by Ashoka some 250 years after the Buddha’s death), it is clear that Ashoka was responsible for building many stupas all over northern India and the other territories under the Mauryan Dynasty in areas now known as Nepal, Pakistan, Bangladesh, and Afghanistan.

One of Ashoka’s goals was to provide new converts with the tools to help with their new faith. In this, Ashoka was following the directions of the Buddha who, prior to his death (parinirvana), directed that stupas should be erected in places other than those associated with key moments of his life so that “the hearts of many shall be made calm and glad.” Ashoka also built stupas in regions where the people might have difficulty reaching the stupas that contained the Buddha’s ashes.

One of the most famous stupas, The Great Stupa (Mahastupa) was built at the birthplace of Ashoka’s wife, Devi, daughter of a local merchant. in the village of Sanchi located on an important trade route in the state of Madya Pradesh, India (photo: Nagarjun Kandukuru)

Karmic benefits

The practice of building stupas spread with the Buddhist doctrine to Nepal and Tibet, Bhutan, Thailand, Burma, China and even the United States where large Buddhist communities are centered. While stupas have changed in form over the years, their function remains essentially unchanged. Stupas remind the Buddhist practitioner of the Buddha and his teachings almost 2,500 years after his death.

For Buddhists, building stupas also has karmic benefits. Karma, a key component in both Hinduism and Buddhism, is the energy generated by a person’s actions and the ethical consequences of those actions. Karma affects a person’s next existence or re-birth. For example, in the Avadana Sutra ten merits of building a stupa are outlined. One states that if a practitioner builds a stupa he or she will not be reborn in a remote location and will not suffer from extreme poverty. As a result, a vast number of stupas dot the countryside in Tibet (where they are called chorten) and in Burma (chedi).

The journey to enlightenment

Buddhists visit stupas to perform rituals that help them to achieve one of the most important goals of Buddhism: to understand the Buddha’s teachings, known as the Four Noble Truths (also known as the dharma and the law) so when they die they cease to be caught up in samsara, the endless cycle of birth and death.

The Four Noble Truths: 
life is suffering (suffering=rebirth)
the cause of suffering is desire
the cause of desire must be overcome
when desire is overcome, there is no more suffering (suffering=rebirth)

Once individuals come to fully understand The Four Noble Truths, they are able to achieve Enlightenment, or the complete knowledge of the dharma. In fact, Buddha means “the Enlightened One” and it is the knowledge that the Buddha gained on his way to achieving Enlightenment that Buddhist practitioners seek on their own journey toward Enlightenment.

The circle or wheel

One of the early sutras (a collection of sayings attributed to the Buddha forming a religious text) records that the Buddha gave specific directions regarding the appropriate method of honoring his remains (the Maha-parinibbāna sutra): his ashes were to be buried in a stupa at the crossing of the mythical four great roads (the four directions of space), the unmoving hub of the wheel, the place of Enlightenment.

If one thinks of the stupa as a circle or wheel, the unmoving center symbolizes Enlightenment. Likewise, the practitioner achieves stillness and peace when the Buddhist dharma is fully understood. Many stupas are placed on a square base, and the four sides represent the four directions, north, south, east and west. Each side often has a gate in the center, which allows the practitioner to enter from any side. The gates are called torana. Each gate also represents the four great life events of the Buddha: East (Buddha’s birth), South (Enlightenment), West (First Sermon where he preached his teachings or dharma), and North (Nirvana). The gates are turned at right angles to the axis mundi to indicate movement in the manner of the arms of a svastika, a directional symbol that, in Sanskrit, means “to be good” (“su” means good or auspicious and “asti” means to be). The torana are directional gates guiding the practitioner in the correct direction on the correct path to Enlightenment, the understanding of the Four Noble Truths.

A microcosm of the universe

At the top of stupa is a yasti, or spire, which symbolizes the axis mundi (a line through the earth’s center around which the universe is thought to revolve). The yasti is surrounded by a harmika, a gate or fence, and is topped by chattras (umbrella-like objects symbolizing royalty and protection).

The stupa makes visible something that is so large as to be unimaginable. The axis symbolizes the center of the cosmos partitioning the world into six directions: north, south, east, west, the nadir and the zenith. This central axis, the axis mundi, is echoed in the same axis that bisects the human body. In this manner, the human body also functions as a microcosm of the universe. The spinal column is the axis that bisects Mt. Meru (the sacred mountain at the center of the Buddhist world) and around which the world pivots. The aim of the practitioner is to climb the mountain of one’s own mind, ascending stage by stage through the planes of increasing levels of Enlightenment.

Circumambulation

The practitioner does not enter the stupa, it is a solid object. Instead, the practitioner circumambulates (walks around) it as a meditational practice focusing on the Buddha’s teachings. This movement suggests the endless cycle of rebirth (samsara) and the spokes of the Eightfold Path (eight guidelines that assist the practitioner) that leads to knowledge of the Four Noble Truths and into the center of the unmoving hub of the wheel, Enlightenment. This walking meditation at a stupa enables the practitioner to visualize Enlightenment as the movement from the perimeter of the stupa to the unmoving hub at the center marked by the yasti.

This video/animation shows the perspective of someone circumambulating the Mahastupa in Sanchi, the soundtrack plays monks chanting Buddhist prayers, an aid in medition. Circumambulation is also a part of other faiths. For example, Muslims circle the Kaaba in Mecca and cathedrals in the West such at Notre Dame in Paris include a semicircular ambulatory (a hall that wraps around the back of the choir, around the altar).

The practitioner can walk to circumambulate the stupa or move around it through a series of prostrations (a movement that brings the practitioner’s body down low to the ground in a position of submission). An energetic and circular movement around the stupa raises the body’s temperature. Practitioners do this to mimic the heat of the fire that cremated the Buddha’s body, a process that burned away the bonds of self-hood and attachment to the mundane or ordinary world. Attachments to the earthly realm are considered obstacles in the path toward Enlightenment. Circumambulation is not veneration for the relics themselves—a distinction sometime lost on novice practitioners. The Buddha did not want to be revered as a god, but wanted his ashes in the stupas to serve as a reminder of the Four Noble Truths.

Votive Offerings

Votive Stupa, Bodhgaya, 8th century, stone, 78 x 44 x 35 cm (Ashmolean Museum, Oxford)

Small stupas can function as votive offerings (objects that serve as the focal point for acts of devotion). In order to gain merit, to improve one’s karma, individuals could sponsor the casting of a votive stupa. Indian and Tibetan stupas typically have inscriptions that state that the stupa was made “so that all beings may attain Enlightenment.” Votive stupas can be consecrated and used in home altars or utilized in monastic shrines. Since they are small, they can be easily transported; votive stupas, along with small statues of the Buddha and other Buddhist deities, were carried across Nepal, over the Himalayas and into Tibet, helping to spread Buddhist doctrine. Votive stupas are often carved from stone or caste in bronze. The bronze stupas can also serve as a reliquary and ashes of important teachers can be encased inside.

This stupa clearly shows the link between the form of the stupa and the body of the Buddha. The Buddha is represented at his moment of Enlightenment, when he received the knowledge of the Four Noble Truths (the dharma or law). He is making the earth touching gesture (bhumisparsamudra) and is seated in padmasan, the lotus position. He is seated in a gateway signifying a sacred space that recalls the gates on each side of monumental stupas.

Buddhist Monasteries

Standing Male Worshipper (votive figure), c. 2900-2600 B.C.E., Eshnunna (modern Tell Asmar, Iraq), gypsum alabaster, shell, black limestone, bitumen, 11 5/8 x 5 1/8 x 3 7/8″ / 29.5 x 10 cm, Sumerian (The Metropolitan Museum of Art, New York City)

Why Monasteries?

So what is a monastery exactly? A monastery is a community of men or women (monks or nuns), who have chosen to withdraw from society, forming a new community devoted to religious practice. The word monk comes from the Greek word monos, which means alone.

It can be difficult to focus a lot of time on prayers and religious ritual when time needs to be spent on everyday activities that insure one’s survival (such as food and shelter). Think of the ancient Sumerian Votive Statues from Tell Asmar, for example. These statues were placed in a temple high above the village. Each statue represented an individual in continual prayer as a stand-in for the actual individual who was busy living, tending to crops, cooking food, and raising children. The person was depicted with hands clasped in prayer (at the heart center) with eyes wide open in perpetual engagement with the gods.

The work of the monastery

In Buddhism and Christianity however, instead of statues, monks or nuns pray on behalf of the people. The monastery typically becomes the spiritual focus of the nearest town or village. In Christianity the monks pray for the salvation of the souls of the living. But in Buddhism, there is no concept of the soul. The goal is not heaven, rather it is cessation from the endless cycle of rebirth (samsara), to achieve moksha, which is freedom or release from attachment to ego or the material world and an end to samsara, and to realize nirvana (or liberation), which is to be released into the infinite state of oneness with everything.

The Four Noble Truths or Dharma

It is difficult to achieve moksha, which is why the Buddha’s teaching focuses on achieving Enlightenment or knowledge that helps the practitioner. This is described succinctly in his Four Noble Truths, also referred to as the dharma (the law):

Life is suffering (suffering = rebirth)
The cause of suffering is desire
The cause of desire must be overcome
When desire is overcome, there is no more suffering (suffering = rebirth)

Adept practitioners of Buddhism understood that not everyone was ready to perform the necessary rites to obtain the ultimate goals of ending samsara (rebirth). The common person could, however, improve their karma (an action or deed that enacts a cycle of cause and effect) by everyday charitable acts that were mostly directed toward the monastic community.

The Buddhist monks and nuns meditated and prayed on behalf of the lay community (or laity—basically everyone who is not a priest or monk), those without specialized knowledge of the faith, assisting them in the goal of realizing The Four Noble Truths. Monks and nuns also instructed the lay practitioner on how to conduct the rituals, how to meditate, and advised them about which Buddhist deity to focus on (this depended on the issue or obstacle in the practitioner’s path to Enlightenment). The laity, in turn, supported the monks with donations of food and other necessary items. It was a mutually beneficial relationship.

The beginnings of monasteries

In the early years of Buddhism, following the practices of contemporary religions such as Hinduism and Jainism (and other faiths that no longer exist), monks dedicated themselves to an ascetic life (a practice of self-denial particular to the pursuit of religious or spiritual goals) wandering the country with no permanent living quarters. They were fed, clothed, and housed in inclement weather by people wishing to gain merit, which is a spiritual credit earned through virtuous acts. Eventually monastic complexes were created for the monks close enough to a town in order to receive alms or charity from the villagers, but far enough away so as not to be disturbed during meditation.

Three types of architecture: stupa, vihara and the chaitya

Buddhism, the first Indian religion to require large communal and monastic spaces, inspired three types of architecture.

The first was the stupa, a significant object in Buddhist art and architecture. On a very basic level it is a burial mound for the Buddha. The original stupas contained the Buddha’s ashes. Relics are objects associated with an esteemed person, including that person’s bones (or ashes in the case of the Buddha), or things the person used or had worn. The veneration, or respect, for relics is prevalent in many religious faiths, particularly in Christianity. By the time the Buddhist monasteries gained importance, the stupas were empty of these relics and simply became symbols of the Buddha and the Buddhist ideology.

Second was the construction of the vihara, a Buddhist monastery that also contained a residence hall for the monks.

Third was the chaitya, an assembly hall that contained a stupa (though one empty of relics). This became an important feature for the monasteries that were cut into cliffs in central India. The central hall of the chaitya was arranged to allow for circumambulation of the stupa.

Chaitya at Karle near Lonavala, Maharashtra, first century B.C.E., (photo: Fernando Stankuns)

The stupa is at the end of the nave (the main central aisle), as seen in the photo above. On either side of the columns are side aisles to help people walk through the space—around to the stupa, and back out. This is similar to the architecture of Early Christianity (for example, the side aisles at the Early Christian Church in Rome, Santa Sabina, which help the flow of people who come to worship at the altar at the end of the nave).

Buddhist Monasteries in India

In India, by the 1st century, many monasteries were founded as learning centers on sites already associated with Buddha and Buddhism. These sites include Lumbini where the Buddha was born, Bodh Gaya where he achieved enlightenment and the knowledge of the dharma (the Four Noble Truths), Sarnath (Deer Park) where he preached his first sermon sharing the dharma, and Kushingara where he died.

Great Stupa, Sanchi, India, 3rd century B.C.E. to first century C.E. (photo: R Barraez D´Lucca)

Ashoka: the first King to embrace Buddhism

Sites special to King Ashoka (304–232 B.C.E.), the first king (of northern India) to embrace Buddhism, were also integral to the building of monasteries. For example, the complex at Sanchi, where the original Great Stupa (Mahastupa) of Sanchi was created as a reliquary for the Buddha’s ashes after his death, became the largest of many stupas that were created later when a monastery was built at the site. Ashoka added one of his famous pillars at this location—pillars that not only proclaimed his acceptance of Buddhism, but also served as instructional objects on Buddhist ideology.

An example of the monastic center at Vaishali. One can still see the remains of one of several stupas, the Ashokan pillar and the later addition of the monks’ cells and the administrative center. Soon these types of monasteries were replaced by rock-cut accommodations because they were more durable. (Photo: Abhishek Singh)

Between 120 BCE and 200 C.E. over 1000 viharas (a monastery with residence hall for the monks), and chaityas (a stupa monument hall), were established along ancient and prosperous trade routes. The monasteries required large living areas.

Plan of cave 1 at Ajanta

A vihara was a dwelling of one or two stories, fronted by a pillared veranda. The monks’ or nuns’ cells were arranged around a central meeting hall as in the plan of the Ajanta vihara (left). Each cell contained a stone bed, a pillow and a niche for a lamp.

The monastery quickly became important and had a three-fold purpose: as a residence for monks, as a center for religious work (on behalf of the laity) and as a center for Buddhist learning. During Ashoka’s reign in the 3rd century B.C.E., the Mahabodhi Temple (the Great Temple of Enlightenment where Buddha achieved his knowledge of the dharma—the Four Noble Truths) was built in Bodh Gaya, currently in the Indian state of Bihar in northern India. It contained a monastery and shrine. In order to acknowledge the exact site where the Buddha attained Enlightenment, Ashoka built a diamond throne (vajrasana – literally diamond seat) underscoring the indestructible path of the dharma.

Rock-cut caves

The rock-cut caves were established in the 3rd century B.C.E. in the western Deccan Plateau, which makes up most of the southern portion of India. The earliest rock-cut monastic centers include the Bhaja Caves, the Karle Caves and the Ajanta Caves.

Bhaja Caves, c. 3rd century B.C.E. to 2nd century B.C.E. (photo: Andrea Kirkby). Twenty-two caves are located at the site.

The objects found in the caves suggest a profitable relationship existed between the monks and wealthy traders. The Bhaja caves were located on a major trade route from the Arabian Sea eastward toward the Deccan region linking north and south India. Merchants, wealthy from the trade between the Roman Empire and southeast Asia, often sponsored architectural additions including pillars, arches, reliefs and façades to the caves. Buddhist monks, serving as missionaries, often accompanied traders throughout India, up into Nepal and Tibet, spreading the dharma as they travelled.

Bhaja

Chaitya (monastic monument hall) at Bhaja, India, 1st century B.C.E. (photo: Andrea Kirkby)

At Bhaja there are no representations of the Buddha other than the stupa since Bhaja was an active monastery during the earliest phase of Buddhism, Hinayana (lesser vehicle), when no images of the Buddha were created. In Hinayana, the memory of the historical Buddha and his teachings were still a very real part of the practice. The Buddha himself did not encourage worship of him (something images would encourage), but desired that the practitioner focus on the dharma (the law, the Four Noble Truths).

The main chaitya hall (which contained a memorial stupa, empty of relics, above) at Bhaja contains a solid stone stupa in the nave flanked by two side aisles. It is the earliest example of this type of rock-cut cave and closely resembles the wooden structures that preceded it. The columns slope inwards, which would have been necessary in the early wooden structures in the north of India in order to support the outward thrust from the top of the vault. In similar stone caves, sometimes the columns are placed in stone pots, which mimic the stone pots the wooden columns were positioned in, in order to thwart termites. This is an example of a practical architectural practice being adopted as the standard.

Ajanta, cave 19 (photo: Arian Zwegers)

Ajanta

At Ajanta, the earliest phase of construction also belongs to the Hinayana (lesser vehicle) phase of Buddhism (in which no human image of the Buddha was created). The caves are very similar to those at Bhaja. During the second phase of construction, Buddhism was in the Mahayana (greater vehicle) phase and images of the Buddha, predominantly drawn from the jataka stories—the life stories of the Buddha—were painted throughout. In Mahayana, which was more distant in time from the life of the Buddha, there was a need for physical reminders of the Buddha and his teachings. Thus images of the Buddha performing his Enlightenment and his first sermon (when he shared the Four Noble Truths with the laity) proliferated. The paintings at Ajanta provide some of the earliest and finest examples of Buddhist painting from the period. The images also provide documentation of contemporary events and social custom under Gupta reign (320-550 C.E.).

Ajanta, Cave 19 (interior) (photo: Kirk Kittell)

Rock-cut monasteries become more complex

Eventually, the rock-cut monasteries became quite complex. They consisted of several stories with inner courtyards and veranda. Some facades had reliefs, images projecting from the stone, of the Buddha and other deities. A stupa was still placed in the central hall, but now an image of the Buddha was carved into it, underscoring that the Buddha is the stupa. Stories from the Buddha’s life were also, at times, added to the interior in both paintings and reliefs.


Originally published by Smarthistory under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

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