Creating a Digital Museum to Memorialize America’s Slave Past

Art historian Renée Ater reflects on how pain and reconciliation coexist at the Contraband and Freedmen Cemetery Memorial in Virginia and other monuments to slavery. By Chelika Yapa Scholar James Young once posed this provocative question: How does a nation memorialize a past it might rather forget? Art historian Renée Ater is exploring this question[…]

Why Abolitionist Frederick Douglass Loved the Photograph

He considered it the most democratic of arts and a crucial aid in the quest to end slavery and achieve civil rights. Suddenly, it seems, the camera has become a potent weapon in what many see as the beginning of a new civil rights movement. It’s become a familiar tale: Increasingly, blacks won’t leave home[…]

Present Tense, Future Perfect: Protest and Progress at the 1964 World’s Fair

“Plainly the sheep and the wolf are not agreed upon a definition of the word liberty; and precisely the same difference prevails to-day among us human creatures.” If every Negro in New York                                       cruised over the Fairin his fan-jet plane                    and ran out of fuel                                        the Worldwould really learn something about the affluent                                                                 society.The stink of the fire hydrant[…]