Why Abolitionist Frederick Douglass Loved the Photograph

He considered it the most democratic of arts and a crucial aid in the quest to end slavery and achieve civil rights. Suddenly, it seems, the camera has become a potent weapon in what many see as the beginning of a new civil rights movement. It’s become a familiar tale: Increasingly, blacks won’t leave home[…]

Camera Obscura: Accuracy and Elegance in Cheselden’s Osteographia (1733)

With its novel vignettes and its use of a camera obscura in the production of the plates, William Cheselden’s Osteographia, is recognized as a landmark in the history of anatomical illustration. Monique Kornell looks at its unique blend of accuracy and elegance. By Dr. Monique KornellIndependent Scholar of Anatomical Illustration A lavishly illustrated and particularly[…]

Ottoman-Era Photographs Take on New Meaning in Their Digital Life

Thousands of images from the Pierre de Gigord Collection are now accessible online. By Isotta PoggiDepartment of Acquisitions of Exhibitions and PhotographsGetty Research Institute Introduction In the 1980s the French collector Pierre de Gigord traveled to Turkey and collected thousands of Ottoman-era photographs in a variety of media and formats. The resulting Pierre de Gigord Collection[…]

Life before the Collapse of the Soviet Union: The Photography of Henry Sara

Sara’s images defined the Soviet Union at its ‘base line’. What was life like in early Soviet Union? As Russians established the USSR after the Great War, British left-wing activist Henry Sara visited the country and, during his time there, took photographs of the people, landscape and the emerging Soviet State. Those photographs went on[…]

John Thomson’s 19th-Century Chinese Treaty-Port Imagery

Westerners were a feature of late-19th-century China, albeit a much smaller presence than Thomson would have us believe. In subscribing to the views and types protocol, Thomson was no different than most 19th-century commercial photographers working in Asia. This simple dichotomy provided a convenient means to organize and present large inventories to potential customers, and[…]

John Thomson’s China, 1873: Reframing the Past

Thomson’s photographic medium possessed qualities that draw the attention of viewers and lay claim to a degree of visual authority. Formats and Picture Size Thomson used three formats for the scenic views in Illustrations of China and Its People. The smallest images (roughly 3.5 in. square) are grouped four to a page; medium sized images[…]

George Platt Lynes: An Early-20th Century Gay Photographer and His Legacy

Lynes was a highly sought-after commercial and fashion photographer in the 1930s and 1940s. But he had to keep his most important body of work hidden away. From the late 1920s until his death in 1955, George Platt Lynes was one of the world’s most successful commercial and fine art photographers. His work was included[…]

Off the Record: A Photographer and Gerald Ford during a Crisis

It began with an image – the first on the White House Photography Office’s 4,527th roll of film for the Ford administration. He snaps a photograph of President Gerald Ford, who leans back in a tall Cabinet Room chair, smoking a pipe and listening intently to CIA Director Colby. The image is the first on[…]

Ottoman-Era Photographs Take on New Meaning in Their Digital Life

Thousands of images from the Pierre de Gigord Collection are now accessible online. By Isotta PoggiAcquisitions and Exhibitions of PhotographsGetty Institute In the 1980s the French collector Pierre de Gigord traveled to Turkey and collected thousands of Ottoman-era photographs in a variety of media and formats. The resulting Pierre de Gigord Collection is now housed in[…]