By Dr. Lionel Gossman / 05.28.2015 M. Taylore Pyne Professor of Romance Languages Princeton University Annan appears to have had a genuine appreciation of architecture as well as of painting. Once again, however, much of his published work resulted from commissions. Two large volumes illustrating local gentlemen’s mansions—The Old Country Houses of the Old Glasgow[…]
By Dr. Lionel Gossman / 05.28.2015 M. Taylore Pyne Professor of Romance Languages Princeton University Like portraiture, landscape was a major genre of painting and was similarly adopted by the earliest photographers. As Ray McKenzie, a contemporary scholar at the Glasgow School of Art, notes: Since the publication, in 1845, of William Henry Fox Talbot’s[…]
Photograph of Old Cloth/Street & Co, photo by Thomas Annan, 1878 / Public Domain By Dr. Lionel Gossman / 05.28.2015 M. Taylore Pyne Professor of Romance Languages Princeton University By the late eighteenth and early nineteenth centuries, having a portrait made of oneself or one’s family members was not the exclusive privilege of wealthy aristocrats[…]
By Dr. Lionel Gossman / 05.28.2015 M. Taylore Pyne Professor of Romance Languages Princeton University From Thomas Annan of Glasgow: Pioneer of the Documentary Photograph In the early stages of photography, when the new technique was still widely viewed as an aid to art and science, rather than as capable of producing art of its[…]
1:10 Hill and Adamson, “Newhaven Fishermen.” By Thomas Annan, 1845. Salted paper print. Metropolitan Museum of Art. Harris Brisbane Dick Fund, 1937, Accession Number: 37.98.1.78. ©Metropolitan Museum. By Dr. Lionel Gossman / 05.28.2015 M. Taylore Pyne Professor of Romance Languages Princeton University From Thomas Annan of Glasgow: Pioneer of the Documentary Photograph Victorian Scotland was[…]
Photo by Camil Tulcan By Trevor Paglen / 12.08.2016 I. OUR eyes are fleshy things, and for most of human history our visual culture has also been made of fleshy things. The history of images is a history of pigments and dyes, oils, acrylics, silver nitrate and gelatin–materials that one could use to paint a[…]
April 1947, Edwin H. Land demonstrating the Polaroid Land Camera’s instant film. / Image courtesy of Baker Library/Harvard Business School Baker Library mounts exhibit on long career of scientific inventor, founder of Polaroid By Martina I. Jokic / 12.07.2016 It’s a long-term exhibit on instant photography, and more. The Baker Library has mounted a show[…]
Home entertainment from a century ago. 09.26.2016 Founded in 1896, Kinora Ltd. produced some of the first motion pictures in history. It converted the Lumière brothers’ Cinématographe into a home entertainment movie machine. Printed film reels could be purchased or rented, and personal “moving portraits” could be taken in a photographic studio. In 1908 the[…]
Richard Learoyd at the Getty Center, August 29, 2016. Photo: Tristan Bravinder. All rights reserved The English photographer on his enigmatic, human images and experimental working methods By Tristan Bravinder / 09.15.2016 Working at large size—his prints are four feet wide and up to six feet tall—photographer Richard Learoyd creates striking, lifelike portraits and still[…]
Lightbulbs, about 1938, Fred G. Korth. Gelatin silver print, 13 1/4 x10 5/16 in. The J. Paul Getty Museum, 86.XM.13.13 An exhibition shows how artists have depicted electricity, making visible the tension between our love of the new and our nostalgia for the past By Tristan Bravinder / 07.27.2016 Light bulbs and wires carrying electricity[…]
A portrait of Frank Norris by the painter Ernest Clifford Peixotto, possibly Norris’ oldest friend, the two having first met at California School of Design in 1886 / Wikimedia Commons At the heart of American author Frank Norris’ gritty turn-of-the-century fiction lies an essential engagement with the everyday shock and violence of modernity. Henry Giardina[…]